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I TAKE THEE, ENGLISH,
FOR MY BELOVED
by Eileen R. Tabios
ISBN: 0971333289
504 pages; Paper; $24.95
Release Date: 2005
Distribution: Small Press Distribution, Baker & Taylor and Amazon.com
CONTACT: Jane Augustine at MarshHawkPress@cs.com
| read review |
Eileen R. Tabios has an enormous tonal range in her poetry. A breathless intensity may be her most characteristic mode.kultureflash: Headlines From London
Eileen R. Tabios' new collection. I Take Thee, English, for My Beloved, contains and melds the forms of poem, memoir, art monograph, play, novel and questionnaire. Here are four discrete collections that would stand on their own but which, together, form the vibrant expanse of a book that affirms: not only does this poet and writer speak English but she loves English.
Although Tabios' first poetry collection received the Manila Critics Circle National Book Award for Poetry in the Philippines, where she was born, she has lived for over three decades in, and is a citizen of, the United States. The initial impetus for this collection stemmed from her meditations on being fluent in only one languagebut a language that colonized her birthland and about which she is still asked the question by strangers as she travels throughout North America: "Do you speak English?" This bespeaks the consistent "Other"-ing experience imposed by many on people of color, even second- or third-generation Americans.
Nonetheless, Tabiosa "transcolonial" poetrefuses to allow adverse socio-political elements to deter her from what she feels she must do as a poet, particularly as a poet of eros: to love her raw material of English. From such love, she not only crafts poems denoting a unique vision, but writings that transcend inherited literary forms. Tabios considers the term "transcolonial" to describe a postcolonial perspective that goes beyond the referenced context of colonialism. One result is the "hay(na)ku," a poetic form which Tabios invented as a community-making gesture; here, the community encompasses both Filipino and non-Filipino poets gathered together through a love of Poetry. This collection features the first publication of "The Official History of the Hay(na)ku."
This collection ends with a close reading by respected poet Ron Silliman of one of Tabios' poems. Silliman concludes, "Tabios tries for more in one page than many other poets would attempt in 20. And she pulls it off."
EILEEN R. TABIOS has released a poetry CD; three e-poetry collections; and written, edited or co-edited fourteen books of poetry, fiction and essays since 1996 when she traded a finance career for poetry. She is also a community-oriented conceptual artist who pens the poetics blog "The Chatelaine's Poetics" at http://chatelaine-poet.blogspot.com; who invented the "Hay(na)ku" poetic form; and whose "Poems Form/From The Six Directions" project has been exhibited several times in California. In 2006, she will release a new poetry collection, The Secret Lives of Punctuations, Vol. I.
(Publisher's release)
OOV Bookshelf 2005 |
DECEMBER 2005 FEATURE
In Ordinary Time: Poems, Parables, Poetics (1973-2003)
by Gémino H. Abad
Ilustrado Politics: Filipino Elite Responses to American Rule
by Michael Cullinane
One Hundred Love Poems: Philippine Love Poetry Since 1905
by Gémino H. Abad and Alfred A. Yuson
SEPTEMBER 2005 FEATURE
Tutubi, Tutubi, Wag Kang Magpahuli sa Mamang Salbahe
ni Jun Cruz Reyes
Fourteen Love Stories
edited by Jose Y. Dalisay Jr.
and Angelo R. Lacuesta
Makinilyang Altar
ni Luna Sicat-Cleto
The Givenchy Code: An Homage and a Parody
by ER Escober
Bago ang Babae: Mga Tula
ni Rebecca T. Añonuevo
Southeast Asian Archaeology: Wilhelm G. Solheim II Festschrift
edited by Victor Paz
Pablo Neruda: Mga Piling Tula
edited by Virgilio Arlmario and
Romulo P. Baquiran, Jr.
Remembering NVM
by Jose Y. Dalisay, Jr.
JUNE 2005 FEATURE
A Book of Her Own
by Leny M. Strobel
Ang Singsing ng Dalagang Marmol
by Isabelo de los Reyes
Ipaghiganti Mo Ako
by Precioso Palma
Sa Ngalan ng Diyos
by Faustino S. Aguilar
Selected Poems
by Merlie M. Alunan
Decimal Places
by Ricardo M. de Ungria
Mga Kaluluwa sa Kumunoy
ni Efren R. Abueg
Sapagkat Iniibig Kita
ni Epifanio San Juan, Jr.
Constructing the Filipina: a history of women's magazines (1891-2002)
by Georgina Reyes Encanto
APRIL 2005 FEATURE
A Country of Our Own: Partitioning the Philippines
by David C. Martinez
I Take Thee, English, for My Beloved
by Eileen R. Tabios
Habagat at Niyebe
ni Edgar Bacong
The Forbidden Book: The Philippine American War in Political Cartoons
by Abe Ignacio, Enrique de la Cruz, Jorge Emmanuel and Helen Toribio
JANUARY 2005 FEATURE
Cousins of Color
by William Schroeder
Buhay sa Angono (Life in Angono)
by Timoteo Saguinsin
Waiting for Mariang Makiling: Essays in Philippine Cultural History
by Resil B. Mojares
The Invisible Palace
by José Manuel Tesoro
Matadora
poems by Sarah Gambito
Servants of Globalization
by Rhacel Salazar Parreñas |