from the editor's laptop
welcome readerpoemsessaysshort storiesgalleryportrait of an artistbooksarchivesindex to issuesabout us / submitcurrent issue


By Beatriz Tilan Tabios
Published by Meritage Press, 2012

Meritage Press is delighted to release a first book by a first-time author just shy of her 83rd birthday: DAWAC and Other Memoir-Narratives by Beatriz Tilan TabiosDAWAC presents Mrs. Tabios' childhood memories of Babaylans (indigenous Filipino healers) as well as surviving the Japanese invasion of the Philippines during World War II.

DAWAC describes many incidents that would be lost today without the book's existence.  They also make history come alive, as only the testimony of someone who lived through the experience (versus a historian's or academic's account) can accomplish.  An example is a section that describes how she and her family ran to the forests to hide whenever the Japanese army approached their town.  As it turned out, it was during those times of hiding when she ended up being introduced to Greek poets, because Homer's Iliad was a "little" book light enough to carry as she fled:

Someone came to the forest to let us know that the [Japanese] enemy had not yet come back from the east. The Soriano family would have gone into the forest, too. So we stayed where we were. I had my little book, the Iliad. I added it to the things in my bag. It was light anyway so it didn’t make a difference even if I had to carry it while we were walking and sometimes running up the hillsides. I started reading it as soon as we sat down in a spot surrounded by low bushes. I was engrossed in the fight between Hector and Achilles. I wanted to know who would win. I was cheering for Hector. My mother told my brothers and me that we could eat some of the brown sugar we had in our bags. My brothers did, but I saved mine in case we would stay there longer.

All of a sudden we heard gun shots, continuous gun shots. It sounded like many guns were fired at the same time. We all dove into a large hole near us. I was on top of those who reached the hole ahead of me. I heard the men whisper, “Machine guns!” We remained crouched for a long time. When the suspense overcame me, I stood up. I saw a Japanese soldier standing on a high ridge south of us. I dropped back to my crouching position. I didn’t tell the others what I saw, but I was expecting to be pierced by a bayonet any minute.


Beatriz Tilan Tabios received her B.A. with English as her major from the Silliman University in Dumaguete, Philippines. She developed her love for poetry as a sixth-grader reading Homer, William Shakespeare, John Keats, Alexander Pope, William Wordsworth and Samuel Coleridge while trying to survive World War II. She would further develop her appreciation for literature as a college student instructed by poet Edith Tiempo, the first woman to receive the title of National Artist for Literature in the Philippines. Critic and fictionist Dr. Edilberto Tiempo, then the head of Silliman University’s English Department, encouraged Mrs. Tabios to continue her study of English and American literature. As a result, Mrs. Tabios wrote her Master of Arts thesis, one of the earliest investigations, regarding Filipino literature, of “(The Use of) Local Color in Short Stories in English.” Later, Mrs. Tabios taught English literature at Dagupan College (now University of Pangasinan) and University of Baguio, before becoming a teacher at Brent School, a boarding school initially built for children from U.S.-American military, missionary and gold-mining families stationed in the Far East.

—Publisher's release

powered by

the relational elations of ORPHANED ALGEBRA
By Eileen R. Tabios and j/j hastain

DAWAC and Other Memoir-Narratives
By Beatriz Tilan Tabios

  poems | essays | stories | gallery | portrait of an artist
from the editor's laptop | welcome reader | books | frontispiece
archives | index to issues | readers | about us
| current issue |